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Posts Tagged ‘Solid Light Inc.’

Falls of the Ohio Interpretive Center panel, early October 2015

Although I could have gone on making this panel richer and richer, at a certain point, you need to call this piece finished.  Solid Light, Inc., the Louisville-based exhibit design team responsible for the Falls of the Ohio Interpretive Center’s renovation wanted to have everything in place by October.  Officially, the center won’t open to the public until January 2016, however, the center wants to do a series of trial runs to see how well the new exhibits will work with school groups under the center’s educational staff.  I worked pretty feverishly at my friend Tom’s large studio to get this panel realized before needing to turn it over to the designers.  Also compelling me was the need to undertake a personal trip to Florida with my family to visit my ailing mother.  Mom is getting better, but it’s just not life anymore if there aren’t many balls being juggled in the air simultaneously!  I had more than enough found objects and river materials to get the job done.  If anything, I may have had too many things to choose from!  For this post, I thought I would share images of the panel in progress as well as some detail shots of its surface.  The fun of this piece is looking up close to see the variety of objects both natural and artificial that have been fixed into place.

 

 

Falls panel at Tom's studio, Sept. 2015

I tried several arrangements before settling on something that I thought would work.  Central in all my compositions was the use of an old marine cable and the fragment from the side of a discarded set of wooden steps.  The design team wanted a look that seemed to suggest that the objects and materials I was going to use had just washed up upon this place.  Having something that appeared casual and spontaneous, but also composed was a big challenge.  My own formalist tendencies wanted to work within a tighter composition, but I relaxed that by doing several dry run layouts before I nailed or glued anything in place.  Of course, there is fantasy operating in the finished panel too because no where at the Falls of the Ohio have I ever encountered this much concentrated stuff in such a small area.

Falls Panel in progress, Sept. 2015

Another step that I realized was prudent before attaching stuff was painting my wood panel.  I went for a mottled brown and gray background that resembled mulch and dried leaves.  I think I did a good job of covering the surface and only in places can you see through to the wood panel below.

Panel painting, Sept. 2015

painted background for Falls panel, Sept. 2015

I was really proud of myself!  I only dipped my painting brush into my coffee once!  Once the surface was dry, I began by attaching the nylon cable around the panel first.  I used a borrowed nail gun hooked up to an air compressor to do this.  In fact, where possible, I used the nail gun as much as I could.  I also used screws and a variety of adhesives (depending upon the material being glued) to attach items to the board.  Working with polystyrene and various plastics can be tricky because certain compounds will eat and dissolve these materials.

Items being attached to the Falls panel, Sept. 2015

I worried that my barge cable might make the panel look too much like the decor you see in seafood restaurants, but I think I managed to barely escape that impression.  After the cable, I attached the wooden steps and glued the larger pieces of Styrofoam into place.  I had other limitations that I haven’t mentioned yet, but this is as good a place as any to say what those were.  First, nothing could project off of the surface any higher than 3.5 to 3.75 inches!  The panel would need to be able to slide into a case that is 4 inches deep.  Another concern was keeping a clean 3/4″ open wood margin along the entire outer edge of the panel.  This would assist in sliding the panel into its case.  Apparently, after the above shot, I didn’t take any more in process photos because I was too busy making the thing!  Here’s a pretty close to finished view of the panel.  I worked on this panel horizontally, but did tip it up to see it as others will see it and to find out if anything would fall off the surface?  Fortunately, everything pretty much stayed in place.

Falls of the Ohio Interpretive Center Panel, October 2015

There is a whole list of things you can find on this panel.  On the base level, it is a good mix of the driftwood, polystyrene, glass, coal, aluminum, and other plastics found in the Ohio River.  Here are a few details to give you a better look.

Detail of Falls Panel, Oct. 2015

Broken flamingo, Falls Panel, Oct. 2015

Detail, Hammer and Halloween, Falls Panel, Oct. 2015

Detail of Falls Panel, Oct. 2015

Small doll on Falls Panel, Oct. 2015

Plastic Indian on Falls Panel, Oct. 2015

Coyote skull in Falls Panel, Oct. 2015

Some of the items on the panel like the coyote skull …I’ve had for many years while other pieces like the plastic Native American came to light a month a go.  I had to include at least one doll in this assemblage because outside of toy balls…dolls are the most frequently found toy I come across at the Falls of the Ohio.  I sprinkled in enough polished coal, walnuts, and mussel shells to keep it lively.  I’m looking forward to seeing all the finished displays sometime soon.  I’m sure this panel will look completely different in its case and in the context of the other exhibits.  Looking forward to getting back outside to the river sometime soon.  I still have a trip to Richmond, KY on the schedule to pick up my art that I have on display there .  For now, I will content myself with this picture taken in the park several weeks a go.  Thanks for dropping by!

View from the Falls of the Ohio State Park, Sept. 2015

 

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Falls of the Ohio State Park Interpretive Center

On November 24 the Falls of the Ohio’s Interpretive Center closed for renovations.  This is the first large-scale overhaul of the permanent exhibits since the center opened in 1994.  Since that time, the state of the art in terms of exhibit display has progressed by leaps and bounds.  According to an article appearing in the Courier-Journal, the Falls of the Ohio Foundation has raised six million dollars to pay for the new updates which are expected to be completed sometime in the fall of 2015.  Louisville’s respected museum design company, Solid Light Inc. will handle the redesign and installation.  The Interpretive Center will be employing the latest interactive technologies and refining its focus to better educate visitors about the significance of the Falls of the Ohio area.  Four new themed exhibits will take the place of the old static displays and are named “The Devonian Sea”, “A Changing Land”, “Converging Cultures” and “The Falls Today”.

Grand Hall of the Interpretive Center, 3/2010

I am looking forward to checking out the new exhibits once they open.  But if I may for a moment, pause and reflect upon the demise of the original beloved centerpiece that was once on display in the Interpretive Center’s main hall.  In style, it does harken back to a tradition when collections of natural history specimens and objects that provoked wonder were kept in Wunderkammers and cabinets of curiosity.  This eclectic display has never failed to fire up my imagination.  Yes, it is a mishmash of objects (both real and artificial) and it jumps all over the timeline.  This is actually one of the reasons I find this display so appealing.  My experience of the Falls is one where all this history and information exits simultaneously in the present and I felt that from this art-like installation.

old display at the Falls of the Ohio, birds above the mammoth skeleton

old fish display at the Falls of the Ohio Interpretive Center

 

I love the scale of the mammoth skeleton and the taxidermed fish and birds lifting to and flowing from the ceiling.  With this display it was easy to adjust for scale and you received a truer sense for just how big the Devonian sharks were and how truly huge an Ice Age elephant was.  I’m not sure that a projection or video could convey this as much as something you could make a true physical comparison with that is sharing the same space with you?  A walk around the centerpiece revealed beautifully fabricated and delicate Devonian Age sea creatures inhabiting a coral reef.  The displays under glass contained specimens and relics that were a tip of the hat to many of the great 19th century naturalists that helped put the Falls of the Ohio on the map.  In essence, a lot of the information you needed to know about the Falls was contained in this single display.

Prince Madoc figure in the old display at the Falls of the Ohio Interpretive Center

Of all the elements in this centerpiece, perhaps the most controversial was the inclusion of a life-size figure of Prince Madoc.  He was one of three figures presented which also included a representation of a Native American and a pioneer figure that might have also been a portrait of John James Audubon?  In case you have never heard of Prince Madoc…he potentially was a 12th century Welsh explorer and he and a band of his people may have been early European visitors to North America.  There is a persistent legend about a group of blonde hair blue-eyed Indians that may be descendants of Prince Madoc.  An old Native American story has this band being routed in battle near the Falls of the Ohio and is the connection to our area.  When President Thomas Jefferson sent Lewis and Clark west to explore the continent…he asked that they keep an eye out for evidence of this story.  I have a good friend who couldn’t bear to look at the Prince Madoc figure and not because it wasn’t done well.  To him, it was a travesty to include this in a tableau that included factual elements.  To date, there is no convincing evidence, no archeological proof that Prince Madoc ever came to this continent.  I guess the veracity of the story never bothered me and I just liked the tale because of its association with the Falls.  To me, this is what history is about…some parts fact and some parts myth.  The Prince Madoc figure was there to add an extra dimension of imagination I could appreciate.

underneath the mammoth's ribcage

Prince Madoc may have been banished from future displays, but the mammoth skeleton was kept.  It was taken down and repositioned so that you have to pass between its legs and under its ribcage to enter into an auditorium.  I’m sure the new displays will be incredible, but I do hope they will also inspire visitors to use their own imaginations to some degree.

My collection of found Styrofoam, Falls of the Ohio, Nov. 2014

Having touched base with the Interpretive Center, I decided to connect with my own peculiar low-tech universe.  On this day it was sunny and windy and I made my way under the willow trees which provided some shelter from the breezes.  My larder of river-polished polystyrene chunks as white as the recent snowfall was there waiting for me.  I got an idea to make a particular figure from other items I found that day, but the piece I started crumbled to pieces.  A rare but not unheard of temporary setback.  I will return to it when I find the right form for this figure’s body.  On to improvised plan #2.  I looked around my pile and selected two new pieces and joined them together as head and body.  The addition of beaver-chewed willow stick limbs and some stones for eyes and plastic for the mouth and you have the basics of a figure.

Benchmark figure in the Falls landscape, Nov. 2014

This is the second piece I made and he is decidedly less complex than the sculpture that fell apart.  I kind of like this guy as an abstracted representation of a figure out in the landscape.  I walked him through the land and stopping here and there for different photo opportunities.  Here are a few more pics from this day.

Benchmark figure posed near river trash, Falls of the Ohio, Nov. 2014

To me, this figure has a sort of benchmark quality to it.  Here it’s posed next to some typical river trash.  There are places out here that “bleed” red from some oxides that originate beneath the sand.  I did keep the plastic wheel I found and added it to my ever-growing collection of toy wheels.  I have several hundred of them now and hope to create a grand piece with them.

Figure in a hole on the fossil cliffs, Falls of the Ohio, Nov. 2014

Up on the fossil cliffs that overlook the river, I found a nice hole for my figure to stand in.  I tried to set the figure up by positioning the legs in a naturally occurring crack in the stone, but the wind was just too strong to allow this to happen.  A single fisherman shares the scene with my latest creation.

Styro-figure posed next to a nice piece of driftwood, Falls of the Ohio, Nov. 2014

For this image, I simply liked the piece of driftwood my Styro-figure is posed next to because of its worn and polished sculptural qualities.

Styro-figure posed next to anonymous improvised driftwood shelter, Falls of the Ohio, Nov. 2014

Here, I’ve set up the figure under an anonymous driftwood construction.  I liked the way the propped up driftwood defined and framed a space for my figure to exist in.  On this particular day, there wasn’t a made up story that came to mind.  For most of my Falls forays…this is the typical way the day goes.  It’s about being outside and reacting to the elements and conditions I come into contact with on the river’s edge.  This is how I interpret what is happening at the Falls of the Ohio.  I am already looking forward to my next visit and sharing it with you.

The Interpretive Center as seen from the riverbank, Falls of the Ohio, Nov. 2014

 

 

 

 

 

 

 

 

 

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