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Each year has a different character to it and for what I do at the Falls of the Ohio, a lot depends upon what I find.  Last year, there was an abundance of plastic bottles in a full spectrum of colors that stood out among the natural driftwood.  This year, we have had a mostly high river due to locally intense rains throughout the Ohio River Valley.  There have been successive waves of wood and plastic that have had me wandering the wrack lines filling my collecting bags and stuffing my computer with images.  The Falls are not a big area, but the dynamic changes that rearrange the riverbank keep it interesting.  This year I have concentrated mostly on formal arrangements on site using flip-flop sandals, plastic soft drink bottles with colored backwash in them, and I have also been astounded by the number of cigarette lighters I have been finding.  Following are a few of the many compositions I have already made this year.Chromatic arrangement in Flip-flops, Falls of the Ohio, Feb, 2017

Made this one on a sunny day in February.  I found all these flip-flops on a single walk along the riverbank which is how I still like to work out here.  I get ideas for projects based on what that day’s walk presents.  Kind of like going to the grocery store and seeing what’s ripe and in season.

Flip-flop arrangement on the sand, Falls of the Ohio, March 2017

Why flip-flops?  First, they are a ubiquitous part of human life around the river and they float and travel great distances to reach the park.  I also like the idea that these sandals are unique to the people who wore them and have their “soul or spirit” imprinted on them.  They come in a variety of colors and sizes and can be as variable as people.  There is also that saying about not understanding others until you can stand in their shoes.

Flip-flop ring, Falls of the Ohio, April 2017

A work from April of this year made with flip-flops.  Some colors seem to be harder to find than others particularly a true red or yellow.  Once in a while, I will also pick up and use the sole of some other kind of foot ware if I think it will come in “handy”.

Cottonwood Tree Composition, late May 2017, Falls of the Ohio

My latest flip-flop composition from late May.  Sited in the western section of the park, this piece is situated by a favorite cottonwood tree that I have shown in posts many times before.  It uniquely has a space under the roots that you can stand under.  It is a favorite place for locals to party.  Now for the next part of this post…”Mystery Fluids”.

Found soft drink and sport drink bottles with partial contents, Falls of the Ohio, April 2017

Usually found floating in rivers and other bodies of water are these partially consumed sport and soft drinks capped and in their bottles.  At the Falls of the Ohio I find them intermixed with the driftwood and everything else too.  Often, it is the bottom of the bottle that is sticking up from the wood.  I think being starved for color is why I gravitated towards this common element of our waste stream.  When the light hits these bottles just right…the colors can be very jewel-like and attractive.  Here are a few of the projects and images I made with them this year.

Found bottles and contents with the skyline of Louisville, Feb. 2017

Found bottles and contents, western section of the Falls of the Ohio, April 2017

Found bottle composition with contents, Falls of the Ohio, 2017

I have photographed these bottles in a variety of contexts and combinations over the year.  Their contents are amazingly well-preserved and I have never found one that had mold growing in it.  It could be that conditions have rendered these bottles sterile?  Did they get too hot, too cold, not enough oxygen?  Certainly, there is plenty of sugar, electrolytes, and preservatives in them.  On site, I usually have arranged them on the back of stranded logs or boards that have floated in here and then I take my pictures and walk away.  At my main outdoor studio…I have now been caching some of these bottles and flip-flops too for later in the year when the water level is low.  Now for the final category….found cigarette lighters.

Found cigarette lighters by various manufacturers, Falls of the Ohio, June 2017

Took this photograph a few days a go and represents my record for found cigarette lighters in one day out at the Falls of the Ohio.  I think there are 103 lighters here all gleaned from the driftwood.  I have always known that cigarette lighters are out here, but not until now have I concentrated on them.  When you begin looking for them, they can be everywhere up and down the riverbank and intermixed with the driftwood.  Once upon a time, the ability to create fire was a special and important skill.  It’s more than the climate that is changing.  Before I show you what I made with a hundred lighters, here are some earlier attempts.

BIC lighter color line, found cigarette lighters from the Falls of the Ohio, 2017

This found lighter composition is unique in that only “Bic” brand lighters were used.  The are arranged on the back of a log.  I still like referencing light through color.  The irony of our dependence on fossil fuels to make things like plastic and energy is that it comes from sequestered carbon created from sunlight by plants living millions of years a go.  Now we need to just look up in the sky to see that same source of energy in the here and now.

88 Cigarette Lighter Oval, Falls of the Ohio, 2017

I think from April?, but definitely the western section of the Falls of the Ohio State Park.  Created this oval from 88 found lighters.  The river was still very high and this arrangement is up against the riverbank.

Found Lighter Circle, Falls of the Ohio, 2017

68 Found Lighter Circle, Falls of the Ohio, 2017

Lighter circle made with 68 found cigarette lighters.   You can see the marks my fingers made in the sand adjusting the lighters to expand the circle.

Nearly forgot about this one!  “Stump Star” composed of 48 found lighters, a yellow reflector, and of course…a stump.  Made under the willow trees, the light playing through the tree canopy made this piece hard to photograph.  It just occurred to me that I have no idea where butane comes from?  All of these once stored compressed butane.  As these physical objects age and are exposed to the elements, their metal components are the first to corrode and rust away.

Another day and visit to the river.  I try to maximize each opportunity out here by making as many site specific pieces from the various materials I encounter.  Here’s a quick piece with my the toes of my shoes poking in for good measure.  I call this one “Keep Calm” because there’s one lighter that says that…or “From Clear to Blue” because if you look closely you can see between the white and blue lighters is one clear one.  So far, that’s the only one like that I’ve seen out here.  Okay, one more to end with and it’s the one with over a hundred lighters.  I made another composition with these lighters, but decided to try a more open design and it turned out better than the first.Double-spiral Cigarette Lighter Composition, Falls of the Ohio, June 2017

When given the chance to go to the river or write about past experiences…I will opt for the river, unless the weather is bad and it has already rained hard today.  I’m staying busy and engaged with art all around me which has had a calming effect on me considering all the political decisions people are making regarding the health of the environment and everything else too.  If you are interested in some of what’s in the Ohio River and other rivers in this country…then I’m your blog.  Until next time from the Falls of the Ohio.

Double Spiral found cigarette lighter composition at the Falls of the Ohio, June 2017

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The One-eyed Blue-tongued Devil at the Falls of the Ohio

The river is rising as I write this.  Just the other day…we had a storm that just sat on us and poured down a massive quantity of water.  This is to my count, the fourth time this year that we have experienced high water on the Ohio River.  Fortunately, none of them have been true floods on the big river.  All the art projects and the materials I have collected and cached at my various sites this year are gone or in different locations within the Falls of the Ohio State Park.  Having the time and opportunity to access the life at the Falls is a still a big priority for me, but the river and weather don’t always cooperate.

One-eyed Blue-tongued Devil with Blue Ball

I’m out here as often as I can get away and since time is usually limited…I work quickly forming plans for projects as I take advantage of what that day presents.  A typical visit starts off first with a walk checking out what’s new in the area for potential materials and sites for projects.  I’m also looking for new birds, what fish the fishermen are having success with, any new flowering plants and the insects they may attract.  Because of the river, the areas I frequent are dynamic and change frequently which is a big part of the attraction.  After making the rounds, I will return to one of my outdoor studio sites where I store materials for later use or to take home with me at the end of the day.  If there is one change in my creative process over the past year, it is on relying on my home work space more to get things done.

Petrochemical Rainbow in progress in my home studio.

Work in progress, late January 2017

And, as you can see by these especially well-curated and selectively chosen images, there’s also plenty to work with here!  If the river was to evaporate away tomorrow…I will be in good shape for a while as far as materials go.  Drinking water and taking a hot shower, however, may be another story.  Since I participated in a recent two person exhibition that I haven’t mentioned yet, this looks like a good opportunity to share something about that.

Post card invitation for Cross Currents exhibition, Feb. 2017

My friends David McGuire and Karen Welch formed Craft(s) Gallery and Mercantile in Louisville to help promote the work and sale of Kentucky’s creative people.  I accepted their invitation to show with Mack Dryden who is another Falls of the Ohio enthusiast who also happens to be a professional comedian. Mack likes to collect the driftwood that he finds and makes more formal compositions with them.  We decided to title our exhibition “Cross Currents…” since while we appreciate nature and what the river gives us…our approaches to art making are different.  Here are a few installation shots from this show.

Taking my "Foamies" to market, late January 2017

I threw this picture in here because this is something most people don’t see or consider…how an artist gets their work from one place to the next.  Fortunately for me, most of the shows I participate in are within a day’s drive of Louisville.  In this case, I’m just going across town.  Shipping can get problematic and costly.  Ironically, since most of my Styrofoam projects don’t weigh anything…they do however, take up “dimensional space” meaning I’m charged for how much room my box occupies on the truck or cargo jet regardless of the weight.  As  you can see, I’m rather careless with my own work with minimal or nonexistent packaging.  I think there is something about knowing where my materials come from that causes me to be casual and not at all precious about what happens to my projects.  I still leave a lot of stuff behind at the river.

Cross Currents exhibition, Crafts and Mercantile Gallery, Louisville, KY, Feb. 2017

Cross Currents installation view, Craft(s) Gallery and Mercantile, Louisville, KY, Feb. 2017

Installation view of Cross Currents exhibition, Craft(s) Gallery and Mercantile, Lousiville, KY, Feb. 2017

Our exhibition was up for the month of February and was well received.  I brought projects that hadn’t been seen in Louisville before including some new colorful, plastic bottle pieces I had been working on during 2016.  My bird sculptures also did well and they seem to be many people’s favorite works by me.  I also included new dye sublimation prints on aluminum that I had made of river works that no longer exist. Most of my Falls projects after all these years of doing this project remain preserved as images only.Styrofigure with found, plastic battery operated car, Falls of the Ohio 2017

Relatively speaking this has been a warm spring and delightful when it wasn’t pouring buckets of rain on occasions.  When the opportunity presented itself…I started several new series of works taking advantage of and calling attention to the many other materials that I find in the park.  I look forward to sharing them with you and hopefully…I won’t let so much time go by.  Until then….

One-eyed, Blue-tongued Devil holding a white bottle, Falls of the Ohio, Feb. 2017

 

 

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The Falls of the Ohio offers a variety of fishing opportunities throughout the year.  Whether you prefer light tackle action in the shallows or the pull from a fifty pound catfish while sitting on a boat…you can find that on the Ohio River flowing by Louisville.  I always check out what’s happening on the riverbank when I come out here.  I am especially interested in seeing what species are being caught and what’s being used to catch them.  On this warm December day the action was happening in the shallows.  Fisherman were using soft-bodied jigs to catch Sauger (a smaller relative of the Walleye) and this nice White Bass.

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The White Bass, (Roccus chrysops) was first described by the eccentric naturalist Constantine Rafinesque who was familiar with the fish life at the Falls of the Ohio.  The White Bass is a big river fish that is also found in impoundments.  This fish can get to be 15 to 18 inches long and a maximum of around five pounds.  We also have a smaller relative, the Yellow Bass that is also found in the Ohio River.  Both species are related to marine sea basses and scatter their eggs without further care of their young.

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Since there is a lot of fishing activity on the river, I also find a lot of lost fishing gear. Broken poles, snagged line, and lots of plastic fishing lures like this recent example. It’s very easy to snag and lose a lure in the rocky bottom out here. Usually, when I find a lure, it is minus its hooks which either have broken off or have dissolved away.  I also pick up lost fishing floats and have been amazed by how much design variety that fishing tackle can encompass.  On the negative side, I also have a fairly full sandwich bag of lead fishing weights that I have accumulated over the years.  When the river is down during the height of summer, I will check out the dried holes in the rocky bottom that catch and tumble lead and other metals.

If nothing else, 2016 will be remembered by me for the quality of the fishing.  I was able to catch three species new to me to add to a growing list of species I have documented at the Falls of the Ohio.  Check out the next couple of images of a rare Ohio River Bowfin (Amia ohioensis) I angled from under the railroad bridge.

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The Ohio River Bowfin is only marginally related to the better known Bowfin, (Amia calva).  The Ohio River Bowfin has adapted its life to living in shallow rocky streams where it ambushes other fish, frogs, crayfish, and other river invertebrates.  Uniquely, its anal and caudal fins have fused into one large fin that comes in handy for scraping out nests in the gravel bottoms it prefers to breed on.  After the male entices the gravid female into his nest and with a little luck and persuasion, a clutch of about fifty eggs is deposited and fertilized.  The male assumes all parenting duties.  Can also be distinguished by it long slender body and bright orange-colored eyes.  After a few pictures and measurements the fish was released unharmed back into the river.

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On another river expedition in November, I visited a different Falls of the Ohio location near the Interpretive Center to sample the fish life there.  Within a minute or two of my first cast I caught this near world record Copperbelly Suckermouth, (Catostomidae cupricana).  I was using a hook baited with clam meat which is the principle food of this Ohio River oddity.  The boats anchored in the river are probably going after large catfish.  This view gives you a good indication of the body type that evolved with some fish that inhabit swift flowing water.  Drag has been minimized and the pectoral fins are strong enough to anchor the fish in place as it hovers over the clam beds it prefers.

Here’s a symbiotic side note…several fresh water clam species use the Copperbelly Suckermouth as an intermediate host during part of their life cycles.  The nearly microscopic clam larvae attach themselves to the fish’s gills where for a short time, the larvae suck blood and grow before dropping off the fish to complete their life cycles in the gravely bottom. The host fish are left unharmed during the process.

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A sneak peek on why this species is called the Copperbelly Suckermouth.  It’s undersides are a deep, rich, red to orange ochre color that is particularly intense during the Spring breeding period.  The strong sucker mouth is located on the fish’s ventral side and is flanked by barbels that help it locate food in the river’s bottom.  This was also strictly catch and release as was the case with my next fishy find.  As with most bottom dwelling fish at the Falls, one should limit how big a meal you make from your catch.  Toxins are more prevalent in the lower reaches which then are ingested and stored in the fish’s fatty tissues.  This particular species, however, has minimal food value.

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Another day and location at the Falls of the Ohio and another unexpected catch!  Using a grasshopper I caught on the bank and a beaver-chewed willow pole I found nearby, I fashioned a rig with an old line and a hook and caught this Kentucky Killifish, (Cyprinodontidae gargantua) by jigging the grasshopper around the shadows cast by the fossil-loaded limestone.  I dropped the grasshopper into just the right dark hole and pulled out this beauty.

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This is a giant among the killifishes as most are under a few inches in length.  Its blue eyes are distinctive.  Small invertebrates in the form of insect larvae are its main food item, but experience has shown it will go for whatever it thinks it can swallow using its relatively tiny mouth.  This fish has no food or sport value what so ever.  During the summer breeding period, the males of this species can get very colorful in an attempt to impress.  Still, a very nice way to cap the year with a new fish to add to the life list!

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Fishing on Mars or the Falls of the Ohio?  The setting sun has colored the dried riverbank a lovely Martian red.  Here explorers are doing what we do…searching for life in the most promising place we know which happens to be by the water.  I hope 2017 manages a way to be kind to our rivers and freshwater everywhere.  I’ll end my fishing story with a look inside the box where I keep my found fishing lures.  See you next year…from the Falls of the Ohio.

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Well, the season for grand political theatre is almost over.  I’m feeling like most of the country who are so tired of the divisiveness that has defined this overly long election. Certainly, a major disappointment is the lack of any real environmental dialogue or engagement from either of the parties.  Three national debates…and hardly a mention of climate change at all.  We were much more preoccupied by Hillary’s emails than we are the fact that carbon dioxide in the atmosphere passed a historic and negative 400 parts per million this year for the very first time ever!  We have no idea what this will ultimately mean.  We believe that this can’t be a good thing, but we are willing to take the chance?  Do facts matter and are we close to a point where it won’t make much of a difference what we think and feel?  Nature has her own schedule and we have been consistently wrong in guessing what time it is.

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I find going out into Nature breathing deeply and keeping my eyes open helps a great deal. This is my restorative.   Walking parallel to the Ohio River and atop the Devonian limestone, my eyes register the circling Osprey looking for a good fish in the shallows.  The nearby purple loosestrife flowers are alive with insects of many species doing what is important right now which is attending to life.  Cooling its feet in a shallow spring, I come across one of the park’s box turtles.  I give it my full attention and love.  It’s life amazes me.  Once it was a leathery egg laid in a dirt hole.  When it hatched, a tiny, nearly exact replica of its parents emerged from the shell debris and soil.  Instinct led it to seek shelter and to react to that gnawing sensation in the pit of its stomach by eating something.  It’s alive and has its own reality deeply rooted in the history of life.

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Living with the seasons, the turtle puts on a new growth ring for another year of life.  I have caught up to this one…decades after it left the egg.  I feel at peace and a feeling of well-being when I see Nature going about its daily and routine ways of life.  This is the way it has been before there was an us to proclaim ourselves to be the height and purpose of it all. One needs to go out into nature more to fully appreciate creation beyond the strictly abstract and intellectual.

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Plastic flower blossom in the sand at the Falls of the Ohio, October 2016

Our ability to transform our world is so complete that we can use a material like crude oil to create plastic flowers!  But should we and why would we want to in the first place?  It is specifically the effects of using fossil, hydrocarbon-based energy sources that have led us to the situation we now find ourselves.  Collectively, we have let oil and coal become more important than clean air and water.  Here in Kentucky, the political campaigns are fueled by the so-called “war on coal”.  What most people miss, is that this has less to do with environmental regulations and more with market forces.  Coal is a dirty form of energy that has been supplanted by the use of natural gas which is much cheaper.  Ordinary citizens are not taking down the old coal-burning plants and replacing them with natural gas burning utilities…big business is.  Coal jobs started to really disappear when it was discovered that you could reach a lot of coal quicker and employ fewer miners with mountaintop removal. The fracking techniques used to obtain today’s boon in natural gas are also fraught with huge issues which are now coming to light.

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We have the current and not fully resolved situation involving the Standing Rock Sioux people and an ill-advised and designed pipeline that the big corporate world have decided needs to go under the Missouri River.  Despite all our vaunted technologies, we lack the ability to make a pipeline that won’t eventually break releasing its poison into the waters.  What is so hard to understand about that?  I stand with the people who know that clean water is life. For awhile, it looked like the Ohio River was making progress, but in a way, the changes we are seeing in the climate have affected us here.  Currently, we have several large basin projects under construction in Louisville to deal with the reality that it rains more and a lot harder now which now overwhelms our sewers sending untreated waste directly into the river.  It will take billions of dollars and a lot of resolve to fix this, but I suspect, we will limp along trying to convince the people who make money the measure of everything to act sooner than later.

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So, here I stand on the wrack line between land and liquid.  I will continue to come out here and record with my camera and pen, the anecdotal changes I see happening in the park.  I come out here to challenge my creativity, see what there is to see, and restore my spirit.  Ultimately, the quality of our water and the environment at large is a referendum on our collective spirit.  We certainly have been found wanting and another election cycle is going by without so much as an acknowledgement that there are big challenges to the very substrate that sustains us all.  I will try to curb my disappointment, by immersing myself in the moment.  So long for now…until next time from the Falls of the Ohio.img_3366

 

 

 

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The Crying Indian, Falls of the Ohio, May 2016

I touched on this briefly with my last post, but it has taken a couple of weeks to return to the story of “The Crying Indian”.  This post is both about the figure I created from found Styrofoam and the true story about one of the most successful Public Service Announcements of all time.  A few months back, I accepted the invitation of Bob Hill to show some of my river creations at his Hidden Hill Nursery and Sculpture Garden in Utica, Indiana which is just across the river from my home in Louisville, KY.  After the high water we had in late winter and early spring, I had the opportunity and collected several large pieces of Styrofoam off of the riverbank with the intentions of making a few large figures that I could use for the Hidden Hill show.  I was successful in accomplishing this goal and the first figure I made was to become the piece I call “The Crying Indian”.

Basement studio view with the Crying Indian in progress, May 2016

I really don’t have a proper studio.  Just a basement at home that I hoard all the materials that I bring home from the river and the few finished works that I keep.  I really do prefer working outdoors at the Falls of the Ohio where I can work relatively quickly.  On occasion, I have a need to create work that is a little more formal or ambitious and requires more time to put together.  With a deadline approaching for a May 21 opening and weather unpredictable…I set about creating what I could in this cramped space.  There are some advantages like being able to listen to music or moving the laundry along and snacks are just a short staircase away.  Sitting at the foot of those basement steps, I weighed my options and introduced elements that may or may not become a part of the finished work.  The large chunks of Styrofoam that I had brought home from this year’s flooding were outside leaning against my house.  I selected the third largest piece and brought it into the basement.  It was time to go to work.

In progress image of the head of the Crying Indian, Louisville, KY, May 2016

Going into this sculpture, I knew that I wanted to keep it fairly “classical” meaning that most of the elements I used were white in color in “imitation” of marble statuary. I chose a river-polished hunk of Styrofoam for a potential head that felt somewhat in proportion to the figure I envisioned.  I sifted through bags and boxes of river collections and chose two hollow, plastic, and crushed fake golf balls for eyes.  The nose is a piece of polystyrene that is cone-shaped.  The mouth is a plastic and foam element from an old football helmet and the ears are pieces of Styrofoam.  The element that would become “the feather” in the Indian’s headdress was a broken plastic kayak? paddle that I had recently found and thought would look great in this context.  I would later use glacier and river worn quartz pebbles for the tears, but this was one of the last elements I introduced into this piece.  The rest of the work would be Falls of the Ohio driftwood and plastic elements collected in the park.

The Crying Indian in progress, Louisville, KY, May 2016

As I’m working on this, I’m also having an internal conversation with myself.  Talking to my materials I silently ask, “What do you want to be?”  I’ll pose questions and trust my subconscious to help me out by providing a few clues that become ideas that can be elaborated upon.  In this case, I was remembering that great Public Service Announcement from 1971 that is known as “The Crying Indian”.  I was wondering why there weren’t similar ads on television now decrying pollution and litter and extolling the public to do what they can do to help which is also the right thing to do?  What seems to rule the air waves now in the way of public service has more to do with finding cures for cancer and other maladies that afflict us…and that is important too.  Another little voice within me also feels that many of these physiological problems we endure will find their root causes in an increasingly degraded and contaminated environment.  For old times sake I looked up that original Crying Indian ad that was sponsored from the Keep America Beautiful folks and found it as effective as I had remembered it.  During my search, I clicked on a few other stories related to the Crying Indian and that’s when my jaw dropped in amazement.

Back view of the Crying Indian at the Falls of the Ohio, May 2016

Detail, Crying Indian at the Falls of the Ohio holding plastic jugs, May 2016

The first big surprise is a story full of ironies beginning with the actor playing the”Crying Indian”…he  was not a Native American in the first place.  “Iron Eyes Cody”, America’s favorite movie and television Indian was born Espera Oscar de Corti in Gueydon, Louisiana in 1904.  He was actually a second generation Italian American.  He had a rough upbringing and when he was a child he left with his father for the American West.  It was out there that he first experienced indigenous cultures as well as the entertainment industry where he was to find life-long employment.  His first role, playing a Native American child happened in 1919 in a silent film entitled “Back to God’s Country”.  Iron Eyes Cody’s film and television career ultimately spanned the 1930’s to the 1980’s.  He claimed to be of Cherokee and Cree descent, but he needed his braided wig to become at least the image of an Indian.  Apparently, he never quite confessed to his deception and even lived to the ripe old age of 94.  Although Iron Eyes Cody was not a real Native American, he seems to have lived his life otherwise respecting the indigenous cultures.  He married a Native American woman and they adopted two Native children…one of whom became one of the best Native American musicians.  Perhaps it was the times, but I have to believe that if this ad were to be remade today that the public would insist that the Indian be at least genuine.

The Crying Indian and the Skyline of Louisville

The Crying Indian with Jugs

I didn’t feel that this figure was complete without photographing it in the context of the Falls of the Ohio where I originally found the materials that comprise it.  The addition of the white jugs became important not only because I have recently been doing a lot of outdoor assemblages using plastic containers, but returning to the fascinating story of “The Crying Indian”.  As was mentioned, this PSA was sponsored by Keep American Beautiful and the Advertising Council did the ad for free as a way of stimulating business interests in our country.  The Ad Council also created Smokey the Bear, McGruff the Crime Dog, this is your brain on drugs with the egg frying in the pan, buckle up for safety which was an early seat belt public service announcement and many more.  As for the Keep America Beautiful folks….well, they actually represented an organization consisting of  companies that produced bottles and containers of all kinds which make up a huge part of the litter you see everywhere but in the PSA crafted for them.  The Crying Indian ad is now considered a classic case of green-washing.  What occurred with this PSA was to put the responsibility for litter square on the backs of consumers and deflected any blame away from the manufacturers that produce these containers in the first place.  Once upon a time, containers were returned to their point of origin to be cleaned and reused, but there was a lot less trouble and more money to be made in convincing the public that single use containers were the way to go.  We are still in that place forty years later.  You can never underestimate the power of ad agencies to understand human behavior and psychology and use it against us to further the goals of their clients.  A good part of the shame people felt upon seeing trash being thrown at the feet of Iron Eyes Cody had to do with the subtle guilt that many people feel for displacing and persecuting the original inhabitants of this land.  That added ingredient helped make this one of the most successful public service announcements ever made.

The Crying Indian at Hidden Hill Nursery and Sculpture Garden, May 2016

The Crying Indian at Hidden Hill, May 2016

Here are a few images of the finished piece in place at Hidden Hill Nursery and Sculpture Garden.  It looks great where it’s at and I will do another story soon that will include the other sculptures I made for this occasion.  Some of them turned out very well, although they don’t quite have the back story that the figure does.  Hidden Hill is a special and beautiful place and I look forward to sharing more pictures with you.

I used Ginger Brand’s great article entitled, “The Crying Indian” that originally appeared in the November 2008 issue of Orion Magazine for much of the information included in this post.  Brand really goes much farther than I could go here and I highly recommend this read.  Here is a link to that story…https://orionmagazine.org/the-crying-indian/  Another good source of information came from Priceonomics and the link to that story is http://priceonomics.com/the-true-story-of-the-crying-indian/  And, if you want to see the original one minute long public service announcement, it is available on YouTube and at the end of this post. Until next time…

Head of The Crying Indian, May 2016

 

 

 

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Maple seeds, Falls of the Ohio, April 2016

April was a busy but mostly productive blur.  Lots of balancing went on encompassing family, work, loss, art, birthdays, and spring transitioning to summer.  We had an issue with our family computer that kept us quiet for a while, but hopefully that has been resolved.  At this point, I have thousands of photographic images scattered everywhere and if by chance I happen to lose something…well, chalk that one up to the will of the digital gods.  I had this strange realization about being a  survivor of a by gone analog era that my sons don’t understand or have much experience with.  These digital images I have been creating at the Falls of the Ohio can be as transient as the artworks they document.  Fortunately, for my sanity, I was able to get to the river on a couple of occasions in this month, breathe deeply, and relax with my art.  The last two visits I made to the park in April were gorgeous days and productive.  Here are images made from that day’s project.

That day;s gathered plastic bottles, April 2016

I have been having fun gathering up the different plastic bottles and containers that I have been coming across the last two years and making something with them.  The arrangement I made today was composed of black and white plastic junk I came across after a few hours of work.  All the black and white containers were found in the general area of where this piece eventually came together.  I moved around a center location and after fanning in and out found enough stuff to bring back to “base”.  I had previously picked out a place where I wanted to make something because I liked the view with the railroad bridge and the City of Louisville behind that.

Mostly white plastic bottles, April 2016, Falls of the Ohio

Mostly white plastic containers, but also a gray and two silver ones too.  Falls of the Ohio, April 2016

I found a couple of nice plastic buckets and a nice fairly straight wooden plank and set the arrangement up with its back shielded by a huge log.  There was an even larger log that had an end on it that had been scorched by fire, but it worked with the scene.  First, I arranged all the black bottles up and moved from left to right and kept the large containers on the bottom row.  I set the three “grayish” containers up next and that including the two silver jugs I came across.  At least they seemed to represent some value between black and white and I took several photos with them in the configuration.  Later in the day, I did return back to this spot and shot a few without the gray containers in the pictures…just the black and white ones which I liked too.

Beginning of Arrangement in Black and White Plastic, Falls of the Ohio, April 2016

Here’s an image with a train crossing the tracks.  Unfortunately, I did not get a shot before my piece was set up.  Now for a progression of other work in progress photos documenting the brief peak of the “Arrangement in Black and White Plastic”.

Arrangement in Black and White Plastic, Falls of the Ohio, April 2016

Arrangement in Black and White Plastic with Louisville in the Distance, Falls of the Ohio, April 2016

View with Arrangement in Black and White  Plastic, Falls of the Ohio, April 2016

Arrangement in Black and White Plastic, Falls of the Ohio, April 2016

View of Arrangement in Black and White Plastic (from the black end), Falls of the Ohio, April 2016

While I was working out in the driftwood, new friend and fellow artist Chiel Kuijl came out looking for a few choice pieces of wood for his rope installation.  Chiel has been the Artist at Residence at the Bernheim Arboretum and Research Forest and is originally from the Netherlands.  We have crossed paths out here at the Falls of the Ohio as well as socially with mutual friends.  He has returned to Holland, but is due to return to Louisville this year to work on a recent commission.

Artist Chiel Kuijl at the Falls of the Ohio State Park, April 2016

Chiel later built a beautiful rope installation over water as well as distinctive “furniture” from ropes and driftwood.  Park of this busy April included visiting Chiel out in Clermont, KY to see what he accomplished during his residency.  I look forward to showing you a few images of his work in a later post.  First!…let’s get through this one.  I did remove the “gray” containers so it is just black and white butting up to one another.

Arrangement in Black and White Plastic, version 2, Falls of the Ohio, April 2016

Arrangement in Black and White Plastic, version 2, Falls of the Ohio, April 2016

I week after I made this piece, I returned to check on it and inspect my base studio.  Here is an “after” picture.  I already have plans in mind on how I can reuse this black and white plastic.  One other fun development…I am working towards my show at Bob Hill’s Hidden Hills Nursery in Utica, IN.  That will open on May 22 after some of the Kentucky Derby madness has subsided some.  I have three very large figures I have been working on and you will see those soon.  Have a wonderful Sunday…from the Falls of the Ohio and the Artist at Exit 0 Riverblog.

Arrangement in Black and Gray Plastic, a week later, Falls of the Ohio, April 2016

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Early morning view on the Ohio River, mid March 2016

Went out to the river, but to tell you the truth…I thought it would be too high.  Just a couple of days earlier, the Ohio River was once again over its normal banks.  Every year is different and this year the tail end of our winter was marked by warmth and high water.  Although the riverbank was muddy, I was happy to be able to walk around.  I’m having a show at a friend’s place in May and I was on the lookout for more washed up materials.  As it played out, this first official day of Spring would be a more memorable one than I had first anticipated.

Heisenberg's Hammerkopf or Hammerhead, Falls of the Ohio, March 20, 2016

Heisenberg's Hammerkopf in view of Louisville, KY, March 20, 2016

One of the reasons that this can be an interesting time of the year at the Falls of the Ohio is the annual Spring migration of neotropical birds.  I have been known to set my collecting bag aside and just hit the woods on the look out for migrating birds.  The first time you see a male Scarlet Tanager or a Rose-breasted Grosbeak will make a bird watcher out of a lot of people.  This past weekend, which is still a bit early for the usual migrants…I came across something totally unexpected that I couldn’t identify at first.  I didn’t get many pictures, but what I have is here.  If you have never seen (or much less heard of) Heisenberg’s Hammerkopf, (Aviana indeterminus)…you wouldn’t be alone.  Hammerkopf translated into English is hammerhead and that description seems to fit.  Heisenberg’s bird is about the size of an American Robin.  Among the features that stand out the most are its massive red bill and the petal-like feathers found at the base of its neck.  The wings can be brown or white and it has been known to have a crest, but some individuals have been seen that don’t have this feature.  There is no consensus as to its overall population, but a few individuals seem to make the news each year.  This bird is an enigma and it seems to prefer things that way.

Heisenberg's Hammerkopf, Falls of the Ohio, March 20, 2016

The individual I came across is a second year male.  Looking at the info there is on this species did say that the unusual ruff of feathers around its neck could turn bright red as the bird matured and was ready for the breeding season.  What little there is in the scientific literature suggests that this is a highly variable species that can be found anywhere at any time.  With this bird, you really can’t pin down where it originates and it doesn’t seem to have a “normal range”.  It seems to be a very uncommon bird with a world-wide distribution.

Heisenberg's Hammerkopf at the river's edge, March 20, 2016

Heisenberg's Hammerkopf investigating goose tracks, Falls of the Ohio, March 20, 2016

This individual kept surprising me.  I almost felt that it “changed” the more I observed it.  By that I mean at first I found it by the mud and then it changed habitat by going into the trees.  I lost track of it for a short while, but rediscovered it at the water’s edge.  From there, it moved back under the willow trees where I eventually lost it for good.  I saw it use its large bill to delicately probe the mud and hammer through a driftwood log and in both cases wasn’t sure of what it was eating if indeed it found anything to begin with?  I just saw enough of this bird to pique my interest, but I have had bird sightings that have lasted mere seconds that were satisfying enough to last a lifetime.

Chiel collecting driftwood, Falls of the Ohio, March 20, 2016

While I was out exploring the Falls environment, I did come across another individual who can vouch for me that this strange bird was indeed out here.  I struck up a conversation with him and as it turns out he is also an artist.  His name is Chiel Kuijl and he is from the Netherlands.  He has a residency at the Bernheim Arboretum and Research Forest in Clermont, Kentucky where he is working on a unique outdoor rope environment.  He was looking for select, interesting pieces of wood that he could incorporate into his art project and the Falls of the Ohio are a perfect place to do this.  Talking with Chiel, one of the things he is enjoying most are the new and unfamiliar birds he is encountering in this country.  I asked if he had ever seen a Heisenberg’s Hammerkopf before and he said that he hadn’t and it was really unlike what he was accustomed to back home.  I am sure I will see Chiel again, but what of the hammerkopf?

Final view of Heisenberg's Hammerkopf at the Falls of the Ohio, March 20, 2016

I don’t often make an appeal to the larger blogging world, but if anyone should happen to see this bird or something similar to it…I hope that you will post pictures of it.  It might make an interesting research project to see where in the world this species will turn up and what it might have to say about those particular places where it is found.  For now, I will leave it here and hope you will follow along the next time I am hiking at the Falls of the Ohio State Park.

Goose tracks in the mud, Falls of the Ohio, March 20, 2016

 

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